Monday, November 10, 2014
From the back cover:
"When Rae broached the idea of visiting an underground sex club, Mark didn't blink. He should have. Because NightWhere is not your usual swingers club. Where it's held on any given night. . . only those who receive invitations know. Soon Rae is indulging her lust for pain. And Mark is warned by a beautiful stranger to take his wife away before it's too late.
"But it's already too late. Because Rae hasn't come home. Now Mark is in a race against time - to find NightWhere again and save his wife from the mysterious Watchers who run the club. To stop her from taking that last step through the degradations of The Red into the ultimate BDSM promise of The Black. More than just their marriage and her life is at stake: Rae is in danger of losing her soul."
Everson seamlessly melds agony and pleasure in this ultra-vivid, sex- and horror-graphic work. I had one minor nit with NightWhere at Chapter 26 where one of the main characters abruptly goes from being smart to becoming Plot Convenient Stupid by reversing a wise decision - a declaration - he had made a few pages prior. This is a minor nit, one Everson to his credit tries to explain as a foible of human nature, but it still feels flimsy, a Big Scene Set-Up - a plot- and character-natural set-up the author could have created with one of two other male characters.
Most readers (I'm an editor and writer) probably won't be bothered by my aforementioned nit and Everson's writing is, as always, worth reading - and, in this case, worth owning.
Wednesday, November 05, 2014
(hb; 2014: Book One of the Earthend Saga)
From the inside flap:
"The daughter of India's ambassador to the United Nations starts speaking in tongues and having violent visions. A young Haitian girl claws at her throat, apparently drowning on dry land. An Iranian boy suddenly sets himself on fire.
"Called to treat the ambassador's daughter, renown child psychologist Caitlin O'Hara is sure that Maanik's fits have something to do with the recent assassination attempt on her father - a shooting that has escalated nuclear tensions between India and Pakistan - but when teenagers around the world start having similar outbursts, Caitlin is forced to consider that a more sinister force is at work.
"Caitlin must now race across the globe to identify the links connecting these bizarre incidents in order to save Maanik - whose soul might be in peril - and perhaps the world."
Vision is a solid, well-written - if slow-build - set-up novel for Anderson and Rovin's science and speculative- iction storyline. The writing is concise, vivid and highly visualized (making it television miniseries-friendly, should someone decide to adapt it), and the characters and the concepts are interesting. This is a promising start to Anderson and Rovin's future serial work.
Monday, November 03, 2014
(pb; 1974, 2011: sixteenth novel in the Parker series. Introduction by Lawrence Block.)
From the back cover:
"Parker's back in town where he lost his money, and nearly his life, in Slayground. He wants his money back and he's willing to call in a career's worth of favors - and drop a career's worth of bodies - to get it. Even if it means starting a gang war."
Butcher's is the wrap-up novel of the "first cycle" of Stark's Parker novels (he wouldn't publish another one until 1997, twenty-five years later). It is a great early summary work that not only recalls the structure and storyline of the first Parker novel (The Hunter) but updates it by reworking and updating those elements with characters Parker has met throughout the previous fifteen books - particularly Slayground, Plunder Squad, The Green Eagle Score, The Outfit and The Score, among others.
This series is easily one of the best series - in any genre - that I have read in my forty-plus years as a reader. Do yourself a favor (if you're a fan of taut, waste-no-words crime writing) and read these books, preferably in order.
Followed by Comeback.
Friday, October 31, 2014
(pb; 2013: novella)
From the back cover:
"Black: A Novella A horrific Western tale of a gunfighter cursed with unwanted immortality. It's one thing to make a deal with the Devil; it's another when the deal is made for you."
Black is a horror-and-action gory, stripped-to-its-genre-core, thoroughly entertaining and perversely humorous sixty-three page Western with a sympathetic (if violent) protagonist. Excellent read, worth owning.
Saturday, October 25, 2014
(pb; pulp fiction magazine/anthology: Fall 2014, Vol. 1 Issue 1)
Excellent two hundred and fifty-nine-page anthology that got published as a pulp magazine - it's got a bit of everything for lovers of this genre: stories, novella segments, book reviews and author interviews. While not all of the thirty-seven pieces struck me as wonderful - there were a few, disappointments I chalk up to my personal preferences - I could see why the McNeelys and Gallagher published them. If future issues of this magazine-anthology are this exceptional and gut-punch effective, this will be a read-every-issue publication.
1.) "Company Man" - Tom Pitts: A hit man (Jerry) offers to show a new-to-crime associate (Rico) an imaginative way to do a job. Well-written, effective finish.
2.) "Short and Choppy" - Will Viharo: Grisly, sexually explicit and brutal story about a dwarf (Cameron) whose hatred for his writing teacher (Sean) and lust for Sean's wife (Sabrina) leads Cameron toward some fantastically violent actions. Excellent, black-hearted and noirish laugh-out-loud tale.
3.) "Domestic Tableau" - Warren Moore: An adolescent's life of crime and drug addiction place him and his family in desperate and dangerous situations. There are some nice twists at the end, with a clever, theme-appropriate mention of the band Queensrÿche as a story-layer element (for those familiar with their early-to-mid-career music).
4.) "The Husband Killers" - Deborah Lacy: During the live taping of a popular morning show, a man dies on camera, the apparent victim of poisoning. Detective Jocelyn Reed, at the scene of the crime, has to weed out the killer or killers from a large group of people - most of whom have sufficient motives to want the man dead. This is a good, attention-holding read.
5.) "Adele" - Vito Racanelli: Immediately involving tale about a cop (Sommers) who stabs his cleaver-slashing wife (Adele) in self-defense while the only witness - her latest lover, a junkie - escapes. Now, Sommers must track down the junkie before Sommers gets sent to prison. There aren't a lot of surprises in "Adele," but it's well-written.
6.) "Next to Nothing" - Sam Wiebe: A private investigator (John Wakeland) tries to talk down an old acquaintance (Mr. Jacks) after Jacks - grieving for his dead son, Wakeland's friend - gets violent with sharp objects in his motel room.
Excellent, memorable, horrific and humane (if bleak) work, one that sensitive animal lovers might want to skip.
7.) "The Natanhala Kidnapping" - Gary L. Robbe: Disturbing, effective story about old friends who resurrect an outdated ritual of kidnapping each other on their honeymoons - only this time, the ritual goes south in an irrevocable way.
8.) "Off, Park and Up" - Martin Zeigler: An OCD-addled, cineaste encounters agitating delays on his all-important "Movie Day." Laugh out loud funny (in a dark way, of course), tone-effective work.
9.) "Will Viharo: Unsung Hero of the Pulps" (article) - CT McNeely: Excellent, succinct overview of, and appreciation for, Viharo's work and his in-the-flesh contributions to the pulp and cinematic genres. A man of many talents, Viharo deserves to be recognized for what he's done and this is a worthy salute to the man.
10.) "John D. MacDonald's The Executioners" (book review) - Reviewed by Dyer Wilk: MacDonald's 1957 novel, which brought into being two films, both titled Cape Fear (one in 1962, the other - a remake - in 1991) gets its worthwhile due once again. Good, smart review.
Thursday, October 23, 2014
(pb; 1971, 2006: fourth novel in the Alan Grofeld series)
From the back cover:
"When he's not pulling heists with his friend Parker, Alan Grofeld runs a small theater in Indiana. But putting on shows costs money and jobs have been thin, which is why Grofeld agrees to listen to Andrew Myers' plan to knock over a brewery. Unfortunately, Myers' plan is insane - so Grofeld walks out on him. And you don't walk out on Myers."
Lemons is a distinctive - and, along with The Blackbird, one of the best books - in the Alan Grofeld series. What sets Lemons apart from the three previous Grofeld entries is that it also shows Grofeld interacting with his supportive and easygoing wife, Mary (last seen in the Parker novel The Score). When he's with Mary, he's not nearly as caustic or wise-cracking as he is when he's working as a heistman; this shift in personality makes him even more likeable. Even when a murderous amateur (Andrew Myers) forces Grofeld into a tiresome endeavor - getting revenge on Myers, and hopefully some much-needed cash while doing so - Grofeld is tender and loving with his wife, in a way he isn't with his occasional, extramarital women or those he encounters in his criminal works.
This being a Stark novel, there's no wasted words, the action is swift and smart, the characters' core personalities are deftly sketched out and the ending is edgy and memorable - this time with an added amiability, as this is a Grofeld story.
Excellent, hard-to-put-down conclusion to a standout series. Worth owning, these books.
Wednesday, October 22, 2014
From the inside flap:
"Penny Harrigan is a low-level assistant in a big Manhattan law firm who has an apartment in Queens and no love life at all. So it comes as a great shock when she finds herself invited to dinner by one C. Linus Maxwell, a.k.a. 'Climax-Well,' a software megabillionaire and lover of the most gorgeous and accomplished women on earth. After taking her to dinner at Manhattan's most exclusive restaurant, he whisks Penny off to a hotel suite in Paris, where he proceeds, notebook in hand, to bring her to previously undreamed-of heights of orgasmic pleasure for days on end. What's not to like?
"This: Penny discovers she is a test subject for the final development of a line of sex toys to be marketed in a nationwide chain of boutiques called Beautiful You. So potent and effective are these devices that women by the millions line up outside stores on opening day and then lock themselves in their rooms with them and stop coming out. Except for batteries. Maxwell's plan for the erotically enabled world domination must be stopped. But how?"
Beautiful is an excellent, bleakly hilarious satire - a fictional reality that reads like real life in an exaggerated way. Its journalistic tone is analytical, almost chilling, with touches of perverse, risible humor in the first quarter of the novel (a trademark of Palahniuk's work); after that, as all the plot-puzzle pieces begin to fall into place at the right time (for reader like myself), it's a warmer-in-tone rollercoaster ride for Penny - Beautiful's determined but frazzled protagonist - who is trying to gather information with which to defeat her ever-present and seemingly unstoppable ex-sexmate (to call Maxwell her lover would be tonally incorrect).
Readers who are familiar with Palahniuk's writing will likely spot some of his well-foreshadowed, necessary and theme-centric twists. (This is not a criticism, of course.) These twists, along with the ones that surprise and further delight, make Beautiful an effective work that amuses, otherwise entertains and rips into mindless pop culture and its resulting mindset with savage aplomb. Worth owning, this.
- Steve Isaak
- Steve Isaak has published two hundred stories and poems, and is the author of three anthologies: Behind the wheel: selected poems, Shinjuku sex cheese holocaust: poems and the forthcoming Horrorsex County: stories (which are, or will be, available at Lulu and Amazon).